I tried a new shooting method for this group of works, letting the sand particles blow up in the wind for a moment to record its dynamics, and then I went through the post-processing to form a marvelous abstract image of animals, sketching out a kind of indescribable picture, expressing the philosophical concepts of "between resemblance and unlikeliness," "between likeness and unlikeliness," and demonstrating the infinite possibilities and unknown mysteries of the natural world.